NilssonBrackin690

מתוך The Phnomenologic Cage
גרסה מתאריך 06:04, 14 במאי 2012 מאת NilssonBrackin690 (שיחה | תרומות)
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modernism in art represents a very broad area, however in general modernism is considered to handle the implications of industrialization on mankind's soul. If we think of the advances from the 19th century, railroads and the telegraph, the playback quality of sound as well as the transmittal of sound through the telephone, this era spills over into the 20th century with the advances in flight and even flight away from our home planet along with other orbs in space. How could this be when compared to struggle for mere existence that men and women endured from time immemorial up until 1969, when man walked upon our moon? Art, ever reflective of real life, mimics the stresses and strains, joys and still moments of the artist's own life, in whatever era he lives in, therefore it comes as no surprise that modernism these days displays the world of the mostly-urban, mostly-civilized man. Rural scenes still exist, of course, but they are portrayed in vastly different styles than in previous ages.

When we think of modern art, who springs to mind but Picasso, he with the jarring perspective and bright colors, shaking up the art world while he did in the early Twentieth century and throughout his longevity? Not even impressionism charged the art world so generating it ready to expand its consciousness to consider new approaches. If we think of modernism's focus upon introspection, then what artists see inside themselves should be unique, because each individual is unique. It is the artist's responsibility to himself also to society to bring this out in such a way as to communicate his or her own uniqueness. How he does this varies from abstract expressionism to cubism to Dadaism to performance art, installation art and even self-art, for instance body piercing and tattooing.

modernism art - The rejection of traditional art practices alone does not make up modernism; the political spectrum should be considered as well. For example, Dadaism evolved in neutral Switzerland concerning the period of the First World War, with its nationalism and colonial entanglements breeding war and confusing people about the exact factors behind why they were at war. Dadaism called itself anti-war, anti-intellectualism and anti-bourgeois; in fact, it was pro-chaos, and in perhaps an ironic way, considering that the birth of the movement began during wartime and didn't last long after hostilities ceased. The advocates of the movement managed to move on to other pursuits in your life after they had had their say. Dadaism could be said to have executed its purpose and then quit, a purely intellectual genre of modernism that have to have proved gratifying to the people who aspire to modernism's increased exposure of speed.

By focusing on the 'new', modernism by necessity rejects that old and even seems to despise it, since the concepts of modernism preclude formality as well as the old ways of painting, with brush and canvas and studio sittings. By using impressionism's open air techniques, things are out in the open for all to determine the process as the piece will be made. Nothing hidden, nothing subtle, everything open, is apparently the modus operandi. Yet modernism possibly forgets that today's modern man is going to be obsolete in a few years roughly and will look back on this very day and laugh at his perceptions and conceits; it really is one of the drawbacks of modern thought that seeks being always new and exciting.

modernism in art - Peter Dranitsin is a self taught and self representing artist. He was raised in the family where his mother a professional artist and his father a professional photographer.

"As a kid maturing Peter took art classes and learned the basic concepts of drawing, painting and sculpture. Peter likes to paint and contribute all of his time creating new paintings. Many people ask him what motivates him to create - "My abstract art is spontaneous, and creating something beautiful out of something unknown is my motivation in creating new abstract paintings."

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