HorganEhrhardt948

מתוך The Phnomenologic Cage
גרסה מתאריך 06:28, 14 במאי 2012 מאת HorganEhrhardt948 (שיחה | תרומות)
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modernism in art takes on a very broad area, however in general modernism is considered to handle the implications of industrialization on mankind's soul. When we think of the advances with the 19th century, railroads and the telegraph, it of sound and also the transmittal of sound with the telephone, this era spills over in to the 20th century with the advances flying and even flight away from our home planet to other orbs in space. How could this be when compared to struggle for mere existence that men and women endured from time immemorial up until 1969, when man walked upon our moon? Art, ever reflective of actual life, mimics the stresses and strains, joys and still moments of the artist's own life, in whatever era he lives in, therefore it comes as no surprise that modernism these days displays the world of the mostly-urban, mostly-civilized man. Rural scenes still exist, of course, but they are portrayed in vastly different styles than in previous ages.

Whenever we think of modern art, who springs to mind but Picasso, he from the jarring perspective and bright colors, shaking in the art world while he did in the early Twentieth century and throughout his long life? Not even impressionism charged the art world so making it ready to expand its consciousness to consider new approaches. When we think of modernism's focus upon introspection, then what artists see inside themselves has to be unique, because each individual is unique. It is the artist's responsibility to himself and to society to bring this outside in such a way as to communicate his own uniqueness. How he is doing this varies from abstract expressionism to cubism to Dadaism to performance art, installation art and also self-art, for instance body piercing and tattooing.

modernism art - The rejection of traditional art practices alone does not make up modernism; the political spectrum should be considered as well. For example, Dadaism evolved in neutral Switzerland about the period of the First World War, using its nationalism and colonial entanglements breeding war and confusing the populace about the exact causes of why they were at war. Dadaism called itself anti-war, anti-intellectualism and anti-bourgeois; actually, it was pro-chaos, and in perhaps an ironic way, because the birth of the movement began during wartime and failed to last long after hostilities ceased. The advocates of the movement moved on to other pursuits in your life after they had had their say. Dadaism may be said to have executed its purpose then quit, a purely intellectual genre of modernism that has to have proved gratifying to those who aspire to modernism's focus on speed.

By emphasizing the 'new', modernism by necessity rejects the existing and even seems to despise it, as the concepts of modernism preclude formality as well as the old ways of painting, with brush and canvas and studio sittings. By using impressionism's open air techniques, everything is out in the open for all to see the process as the piece is being made. Nothing hidden, nothing subtle, everything open, is apparently the modus operandi. Yet modernism possibly forgets that today's modern man is going to be obsolete in a few years roughly and will look back on this day and laugh at his perceptions and conceits; it really is one of the drawbacks of recent thought that seeks to become always new and exciting.

modernism in art - Peter Dranitsin is really a self taught and self representing artist. He was raised in the family where his mother a specialist artist and his father a professional photographer.

"As a kid growing up Peter took art classes and learned the basic concepts of drawing, painting and sculpture. Peter likes to paint and contribute all of his time creating new paintings. Many people ask him what motivates him to paint - "My abstract art is spontaneous, and creating something beautiful away from something unknown is my motivation in creating new abstract paintings."

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