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The phrase “80's rock” calls certain things to mind: big voices playing big arenas singing big power ballads to big crowds with big hair. Bigness in all its forms, in other words, was the key to the era.  [http://watchrockofagesonline2012.wordpress.com/ Watch Rock of Ages Online]  And it’s this part of the 80s rock scene that the new musical ‘Rock of Ages‘ gets right - maybe a little too right.

This film is one towering tribute to excess. Clocking in at over two hours and featuring 900 songs (approximate), it feels like an entire decade of music crammed into one supremely excessive movie. They didn’t pour some sugar on this thing; they poured the whole friggin’ box. And then they lit the box on fire and threw up some mock-sinister devil horns.

The cast is so huge it makes ‘Nashville’ look like ‘Secret Honor.’ There’s the idealistic young bartender (Diego Boneta), who wants nothing more than to rock (ROCK!!). There’s the idealistic young waitress (Julianne Hough) who wants nothing more than to watch the young bartender rock. There’s the washed-up rock club owner (Alec Baldwin) and his sidekick (Russell Brand) who want nothing more than to own their bar and not pay their back taxes. There’s the difficult pop singer (Tom Cruise), out of inspiration, exploited by his oily manager (Paul Giamatti), lost in a fog of booze, who wants nothing more than to pull himself up from the bottom of Act 2 of his own personal episode of ‘Behind the Music.’ There’s the mousy Rolling Stone reporter (Malin Akerman) who wants nothing more than to interview Cruise’s Stacee Jaxx, along with perhaps and have relations with him. There’s the mayor of Are generally (Bryan Cranston) who wants nothing more than to waste time in reference to his secretary, and his wife (Catherine Zeta-Jones) who wants nothing more than to enable you to visualize Tipper Gore and her anti-hip hop crusades whenever she’s onscreen. If you’re sick about reading about all of these characters, imagine buying and selling domains feel: I did to types all.

That’s many men and women and plotlines for just a movie already, and that’s prior to add wall-to-wall musical numbers. There was clearly many great, schlocky pop songs from the 80s, and ‘Rock of Ages’ features everyone. Several of the cast can sing, like Boneta and Hough (who deliver a version of Foreigner’s “Waiting For a lady Like You” that’s sultrier versus the original) and many on the cast is Alec Baldwin. The hits come to you fast and furious, sometimes a couple of each time in manic series mash-ups. Not one of the characters in ‘Rock of Ages’ do cocaine, even so the film is shot and cut ordinary frenzy of song and dance, you would possibly wonder should the editors did.

Really the only time the film pauses for breath is the place where Cruise’s Jaxx saunters into your film from the second act. Unlike the competition in ‘Rock of Ages,’ Cruise isn’t just milking the setting for kitschy laughs, maybe because when an accurate icon on the 80s, he’s got a tad bit more respect with the period. He takes the thinking behind Jaxx to be a washed-up has-been seriously - why not? Until ‘Mission: Impossible - Ghost Protocol’ ever before, Cruise was commencing to look like a washed-up has-been himself. He brings pathos to his drunken stupor and honest-to-God star ability to his musical performances. It’s almost like Cruise saw Jaxx as his possible opportunity to go the Mickey Rourke route in ‘The Wrestler’ - to tackle his fame and his struggles and his weirdness head-on - a bold choice in a movie that introduces his character while he’s wearing leather chaps, a thong, and also a metallic codpiece the same shape as a demon.

Everything Cruise does has clear purpose: gestures, posture, tattoos, even his voice, perpetually raspy from an excessive amount boozing and screaming. He oozes a whole lot carnality you comprehend why Catherine Zeta-Jones is so going to destroy him (and that is good, ever since the Sunset Strip on the entire movie is so PG-13 cutesy it wouldn’t offend a nun). With long, probing stares, uncomfortable pauses, Cruise draws you in Jaxx’s world. He’s mesmerizing. He’s also in a distinct, if arguably superior, movie versus the entire cast.

‘Rock of Ages’ will be based upon a Broadway “jukebox musical,” where the story is written to fit a score of preexisting songs, plus in bringing that musical to the screen, director Adam Shankman made hardly any accommodations to audiences who might as their power ballads in a bit smaller doses. Everything we have found big: their successes (a duet between Baldwin and Brand scores huge cheeky laughs, so does a sex scene between Cruise and Akerman) plus the failures (Boneta’s character’s difficulty - stage fright - is usually a weird phobia for just a guy who needs to sing “Juke Box Hero” in the midst of a crowded Tower Records to obtain).

Checking out the crazily extensive soundtrack, it happens to me that almost all of on the titles describe the expertise of watching this occasionally amusing but ultimately exhausting film: “Any Way You wish It,” “Here I'm going Again,” “Heaven Isn’t Beyond the boundary Away,” and, certainly, “Don’t Stop Believin’” - specially the line that goes “Oh the film never ends, it's much more additionally, on additionally, on

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