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guide to frieze Frieze Art Fair - The question on the inaugural edition of Frieze continues to be if the British interlopers would upset the Armory Show, our increasingly moribund local art fair, as New York's leading festival of recent art and conspicuous consumption. For that dealers and the collectors it's too quickly to inform - Frieze opens on Friday following a collectors' preview on Thursday. But this can be a much better fair than has been expected initially out, though in comparison with its old world cousin this can be a safer affair, with little grit and plenty of gloss.
Frieze Art Fair - The most effective news: Amanda Sharp and Matthew Slotover made the proper call by holding Frieze on Randall's Island, a park within the East river usually frequented only by little-league baseball players. New Yorkers had been sceptical - it's tough enough to get us to cross Manhattan, aside from require a ferry (or limousine) throughout the water. But around the island, Frieze has enough space to get a sinuous white tent, produced by the young Brooklyn architectural duo SO-IL, which curves along the waterfront. The tent offers continuous vistas down and up the fair - handsomer than other events' gridded chicken coops, though a little intimidating as well. There are 180 galleries here, but nowhere to cover. The first Frieze art fair, for many its wealth, remains better its scruffy east London roots compared to the old-money fairs in Basel or Maastricht. There is however no mistaking that Frieze New York is business, and provocations of the type London audiences have come to expect - wrecked booths, disruptive performances, installations that mock art market absurdities - usually are not in evidence. Maccarone, an often confrontational gallery, is showing a sculpture by the brothers Oscar Tuazon and Eli Hansen, incorporating a tree from an Alaskan island where they lived for weeks - but additionally a 12-metre abstract striped painting by Ann Craven, elegant but benign. Even Gavin Brown, a once reliably provocative Anglo-American dealer, has mounted a lovely but extremely safe booth, centered on seven achingly delicate paintings by Laura Owens, all linked together with a wooden mesh.
Frieze Art Fair - As mentioned within this frieze review: The biggest galleries have got few chances. Require a monochrome Anish Kapoor disc to brighten your third home? Get a large yellow one or even a slightly smaller version in tasteful bronze - in any other case just hold back until both you and your 1% friends meet later this spring in Hong Kong or Basel, where one can repeat the process. It's more rewarding to spend in time the single-artist installations by younger galleries, which Sharp and Slotover have placed smack in the centre with the fair. Among the lessons you'll learn: The big apple is finished and all the cool American kids has progressed to LA. At Redling Art work, Liz Glynn has created papier-mache replicas of gold jewellery from pawn shops throughout the Town of Angels. Money is irregular, she reminds us, and there's a market for everything.
