משתמש:JessiKozak122

מתוך The Phnomenologic Cage
קפיצה אל: ניווט, חיפוש

Jazz will come in many varieties and in this post I will end up being comparing and contrasting 3 of such styles including New Orleans Jazz, Harlem Stride, and the Bright Jazz. For the newest Orleans Style We are using the song "Potato Head Blues" simply by Louis Armstrong and his Hot Several and for Harlem Stride I chose the song "Charleston" by means of James P. Johnson and lastly I chose the particular song "There Ain't No Sweet Man" by Paul Whitman in order to represent White Jazz.

New Orleans would be the birthplace of Jazz and also the relaxing music is probably the oldest forms involving Jazz. At the time of the delivery of Jazz inside the late 1800s black citizens were oppressed and segregated. This led them to get a music of their very own that was far rooted in audio and rhythm. After the city war there were plenty of extra instruments available and a lot of blacks purchased all of them and began playing music. These blacks might not have played their instruments well, but they did use rhythm very distinctly and this lead to the primary jazz music. White Jazz ended up being the white community's respond to the new music with the blacks. At first bright musicians played songs published by blacks, but eventually they developed their particular style which lost a few of the edgy feel and i think does now swing just as much as black music from that period. Harlem Stride would be the eastern piano type of playing jazz, it is played by using the left hand changing between bass information and midrange information. This creates a great oom-pah feeling on the song, and as the left hand will be kept busy using the stride the appropriate hand is absolve to play complex tunes.

As mentioned before Jazz is grounded in rhythm; it's that feeling into it that cannot end up being explained in words, but is instantaneously recognizable when heard. When listening towards songs "Potato Go Blues" and "There Isn't No Sweet Man" it is possible to find similarities within the rhythm that they will employ. Both of which are written with 4/4 time and employ suprisingly low notes played about brass instruments to help keep the tempo. However in the song "Charleston" there is certainly only one instrument used which is the piano, but you may still find read played suprisingly low on the piano to keep the rhythm. All three of the songs are played out at an upbeat tempo but "There Is not No Sweet Man" somehow is played at some sort of much slower pace. This is accomplished in the song by keeping the musicians play their instruments in the almost lackadaisical trend.

Many people don't consider notated jazz songs true Jazz because it is impossible to capture the feeling of Jazz together with notation. Paul Whitman utilised notated music throughout his song "There Is not No Sweet Man" because it was played by way of large orchestra and it also otherwise would have been impossible to play your large of a bunch. Both "Potato "Head Blues" and "Charleston" weren't notated when they were recorded, and that allowed for a few spontaneity in the recording which is a large part from the Jazz feeling. Sometimes the melody of an piece can be lost towards untrained ear because of the way the music is interpreted in a Jazz style. These three tracks were all made to be played as Jazz and maybe they are considered to always be Jazz songs in addition to in "Charleston" along with "There Ain't Zero Sweet Man" it is easy to pick out this melody, but when I listen to "Potato Head Blues" this melody is tough for me at the beginning because so much is being conducted.

"Potato Head Blues" immediately starts with polyphony style this also is mainly the key reason why I can't seem to search for the melody as well at the start. "There Ain't No Sweet Man" carries a small intro in which shortly breaks right homophony and although there is still a lot taking place in the song the many read revolve around one melody. When listening to help these songs When i hear crisp harmonies throughout this also consonance of harmony employed in the songs tends to make them very enjoyable to be handled by. "Charleston" is a great and happy song being but because the item only involves 1 instrument, the cello, it does not need as much depth for it as the additional songs. In "There Is not No Sweet Man" the full orchestra is used including brass, woodwinds as well as stringed instruments. Using that many pieces in the song creates a fullness to the music and a complexity which is not easily replicated. "There Ain't Simply no Sweet Man" employs the trumpet to the melody along with the voice. "Potato Head Blues" likewise uses trumpet as the primary melody carrier but a great many other instruments are used like the cornet and obviously any good guitar.

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